Accessibilities

♿🟠-Accessibility: Medium (Due to the ground, access is via a ramp with some inclination).


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The municipality of Santana is home to a very special place that offers visitors a trip back in time and stunning scenery.

This is, of course, the Fortim do Faial viewpoint, one of the must-sees on the north coast of Madeira.

Built in the 18th century, this place has a recreational architectural profile.

An incursion into the past complemented by some of the relics present, such as the ten small cannons of English origin once used to defend the site.

The Fortim do Faial was built here with the purpose of facilitating surveillance against invaders.

Today, the space recreates a military battery, semicircular in plan, which follows the profile of the hillside where it is located, with an outer wall.

The lower two thirds are more advanced and the fort still has a stonework capping.

It has therefore been considered a Monument of Local Value since 1996, and is also much visited for its privileged view.

From the Fortim do Faial viewpoint you can see towns such as Faial, São Roque do Faial and Porto da Cruz, as well as the imposing Penha d’Águia and Ponta de São Lourenço.

On clear days, you can also see the island of Porto Santo.

Built in the 18th century, the Fortim do Faial, built to guard against invaders, offers visitors a trip back in time and a wide view of Madeira’s northern coastline.

Accessibilities

♿ 🟢 Accessibility: Easy 

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The History of the Church of Curral Das Freiras:

The existence, since the middle of the 17th century, of a chapel in Curral das Freiras, occasionally equipped with a permanent chaplain, “meant that its population benefited from spiritual assistance and thus got used to, during those periods, some autonomy in relation to the parish of Santo António”.

However, with an increase in population, the importance of the parish verified throughout the 18th century and taking into account the distance from Santo António, the population began to express the will to transform Curral das Freiras into an autonomous parish.

This is how, on 11 May 1782, the Ministry of Royal Treasury, by letter from Alberto Rodrigues Lage, informed the bishop of Funchal that “the residents of Fajã dos Cardos and Ribeira das Freiras in the parish of Santo António, five leagues from the parish, having no spiritual pasture, sacraments and mass, they suffered with this great vexation, for which reason, they had requested and asked for the erection of a new parish”.

In that same year, most likely taking into account this request, Curral das Freiras began to have a parish service almost independent of the parish of Santo António.

However, the chapel of Santo António was degraded and did not offer conditions to serve as headquarters for the future parish, which is why, shortly afterwards, the construction of a new temple began.

On July 24, 1787, “by deed drawn up by the Notary Public, António Rodrigues da Câmara Costa, the monastery of Santa Clara do Funchal donates the necessary land for the construction of a new church, the parish residence and its passage .

Before Abbess Paula Luísa de Santa Teresa and a few other Sisters, Fr. Luís da Conceição, Provincial Custos, and a representative of the Diocese, Father Nicolau Francisco de Carvalho Maysingh”, a free donation license was signed, from the Convent of Santa Clara in favor of the Diocese: “By this instrument the Lordships grant license and provide the Hon. and Rev.ma Mitra of the portion of land, as necessary and necessary for the construction of the said church and the chaplain’s house of the said Corral, according to his budget, in the place where it is most useful and next to the Reverend Chaplain’s house, drop six bushels of land for their pass, this pass being a donation that they make to the Reverend Chaplain for the benefit of the residents of the same place, with only the Reverend Chaplains of the same place being obligatory to contribute each year, on Santa Clara Day, on the twelfth of August, a chicken for the six bushels of land from the aforementioned pass for recognition of the lordship of the same referred pass and future service in the knowledge of the benefit that the same monastery did to the said Reverend Chaplain”.

When the parish of Curral das Freiras was created, on March 17, 1790, under the invocation of Nossa Senhora do Livramento, the parish seat was installed in the church whose works had begun six years ago.

Although the date on which these works ended is not known, the year 1793 constitutes a reference, since in that year, as attested by the presence of an inscription on the cornice of the door, the church was dedicated, by the Queen D. Maria I, the Queen of Heaven and Earth, Virgin of Livramento.

Over the years, both the church and the rectory have been subject to restoration works, an example being the replacement of its tabernacle which took place around 1850.

In 1878, fearing being buried in the ruins of the parish house, the then parish priest of Curral das Freiras, probably José Teixeira Dória, had the parish house repaired at his own expense.

Between 1916 and 1918, “the interior of the parish church of Nossa Senhora do Livramento underwent major repairs.

Indeed, in November 1916, the new side altars were completed, which the respective confraternities had built in honor of Senhora do Livramento and the Sacred Heart of Jesus”.

The carving work, in the Renaissance style, “was entrusted to Manuel Inocêncio de Sousa and the painting to Mr. José Zeferino, popularly known as Cirilo”.

In March 1917, the carver Manuel Inocêncio de Sousa was executing, in his atelier on Rua Câmara Pestana, a high altar in Corinthian style for the church of Curral das Freiras.

In August 1938, the churchyard would be almost paved.

In 1952, with Father Alfredo Aires de Freitas as its parish priest, it was his intention to continue carrying out some restoration works, which he had begun the previous year.

In fact, “in 1951, the year that the parish had taken possession of, with the aim of satisfying the main aspiration of the people, it had acquired an artistic altar destined to Santo Antão, which was placed at the bottom of the new part of the church, ordered to be built by the Father Sardinha, his predecessor.

Its author was a master carver named Pimenta, born in Santo António, the work being painted by Alfredo Bernes”.

At the time, he was restoring the chancel of the church, “a work that would involve painting both the ceiling and the altar, renovating the stonework of the two side windows, the altar steps, the door that led to the sacristy and the arch of the cruise”.

A Mandatory stop.

Accessibility

♿ 🟠- Accessibility : Average ( Access To The Church With A Step, Access From The Road To The Church, Complicated, Steep Descent / Ascent, Surrounding Area With Problems On The Ground ).

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The Mother Church of Ponta Do Sol, is possible to visit.
But it is not wheelchair accessible, because of the many steps.

As we enter the church, we are taken by its beauty. The church is in Manueline style, with a single nave of longitudinal plan and a rectangular chancel.

Inside, there is a small chapel dedicated to Our Lady of Patronage, built by Rodrigues Eanes, the Lame, in his will of 1486, one of the first settlers of the place.

The walls of the church are covered with tiles and the gilded wood carved altarpiece enchants us. The organ has been impeccably restored.

The Hispano-Arabic ceiling is a work of art in its own right, while the green ceramic baptismal font in the Mudejar style was given by King Manuel I.

The longitudinal plan consists of a single nave and rectangular chancel, a square bell tower attached to the S of the frontispiece, a baptistery, a chapel of the Blessed Sacrament, a chapel of Our Lady of Patronage and a sacristy attached to the S, and a chapel of the Sacred Heart of Jesus attached to the N. of the frontispiece.

Articulated volumes with differentiated roofs with one water in the baptistery, two in the church and chapel of the Blessed Sacrament, three water in the chapel of Our Lady of Patronage and chapel of the Sacred Heart of Jesus, four in the sacristy.

Frontispiece orientated to the west.

Ended in a gable, with a portal with a full arch framed and architraved, surmounted by a stone window; bell tower with a stone wedge, a bell on each side and a rounded finish and a frame where a clock is inscribed; quadrangular corbelled roof covered in tiles topped by a weather vane.
INSIDE, the nave is covered with a row of recent tiles; the high choir has a wavy profile and is supported by a wooden wind guard topped by a stained glass window.

On the Gospel side, there is a door in local stonework giving access to the churchyard, a quadrangular pulpit in painted wood on a gilded corbel, a baldachin also in painted wood with the symbol of the Holy Spirit and topped with a fleur-de-lis, a frame with floral motifs; chapel of the Sacred Heart of Jesus with a round arch surmounted by a curved pediment, all in escaiola, cross vaulted ceiling supported by a corbel and decorated closing stone; ashlar floor, wooden altarpiece in greyish blue and gilt carving.

On the Epistle side, marble font for holy water, access door to choir and tower; baptistery with arch in black stonework from the region, wooden door with grille, decorated ceramic baptismal font; chapel of the Blessed Sacrament with a broken arch over two colonnades between which is a decoration of plant elements, the frieze of the pediment depicting a biblical scene, side walls with six paintings, decorated barrel vault ceiling, gilded white and red carved altarpiece, with an altar frontal imitating brocade, gilded tabernacle with baldachin topped by a Latin cross; chapel of Our Lady of Patronage or Cocho with broken arch over archivolts in painted red stonework, side altar dedicated to Our Lady of Patronage.

Two altarpieces in gilt and grey-blue carving are arranged at an angle on the sides.

A round triumphal arch surmounted by a cartouche inscribed with the coat of arms of Portugal.

The chancel has walls covered with carpet tiles, an armchair, a gilded and grey-blue carved altarpiece with five oil paintings, topped by a baldachin; the ceiling has a painted carving. In the sacristy, a wooden chest with a backrest, panels depicting saints and Christ on the Cross in the centre, an ashlar font, a slab floor and two wall cupboards.

An obligatory stopping place.

Information taken from:

http://www.monumentos.gov.pt/Site/APP_PagesUser/SIPA.aspx?id=6211

Accessibility

♿🔴- Accessibility: Difficult: No Wheelchair Access. 

Can Be Visited If Client Can Take a Few Steps and Climb Steps.

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